A few weeks ago I had the delight of attending Eden 4’s Artist Lab Finishing Party, and thought I would share some of the exciting work created during their week-long residency at Centrespace gallery.
Rosie Dolton, Beckie Upton, Rachel Falber and Amy Higgins are four female artists from the south west who form the collective Eden 4.
Eden 4 aim to explore the darker symbolism behind fairy tales, myth and religion within their work, and it is evident in the work of Amy Higgins and Rachel Falber that they take inspiration from Greek mythology and Grimms’ fairy tales.
On the group’s website they write:
“We propose to make installations, drawings, sculpture and embroidery based on ideas which will challenge the viewers traditional ideas of ‘Happily ever after’.”
It is this variety of work, and the assortment of textures and materials used by the artists that create visual excitement within the space.
The work on paper is sometimes on scrap material or card, and sometimes on pristine watercolour paper. This is altered in Rosie Dolton’s textile work, which sometimes mimics a drawing, where the thread becomes the line of the pencil.
Eden 4 run projects and workshops, and in this exhibition were able to invite the public to have an exclusive look at the artists’ workspace, to see how the work is made and the processes behind its production.
It is in the opportunity to look at artists creating art that the boundaries are broken between the gallery space (and resolved work) and the artist’s studio. Creation is undoubtedly the most important part of the artwork, but is left out of the gallery space, with artist’s studios and gallery spaces being almost polar opposites.
In each of the works presented in the space composition is an important aspect of them all. Each artist has made careful aesthetic judgements ranging from colour to how the work is arranged in the space.
The references the female body, sometimes spliced with animal parts or bird skulls that become new mythological creatures, are prominent, and become the most noticeable subject in the collection of work. The spliced animal drawings of Amy Higgins create a female Minotaur, which subverts the Greek Myth of the male Minotaur unnatural offspring of a woman and a beast.
Sometimes exploring the female body in their work, Rosie Dolton and Beckie Upton Both use text and incorporate slogans, borrowing the aesthetic of fashion magazines, using phrases such as lecherous which confronts the viewer and forces them to question the male gaze and the sexualised imagery seen in the media.
There are strong feminist undertones in every artist of Eden 4, which become more powerful when brought together as a collective.
Or visit their website: eden4.org.uk